Visual Language

Four primary graphic elements define the h2o visual language — the Orbiting Circles, Infinity Loop, Arrow Graphic, and Touchpoints Graphic. All are built from dashed orbital paths and open-circle nodes in the brand palette, communicating interconnection, momentum, and the continuous marketing cycle.

Circles Orbiting graphic asset
Lead Asset 01
Orbiting Circles
Concentric dashed orbit rings with open-circle nodes in Gold, Sage, Ink, and pale Sage — a visual metaphor for interconnected channels, touchpoints, and momentum. The circular motif echoes the h2o logoform at scale. Always presented full-bleed or partially cropped; never shrunk to fit.
Digital Hero Backgrounds Large Format Print Video Intros / Outros Section Overlays
Infinity Loop graphic asset
Lead Asset 02
Infinity Loop
Interlocking dashed ellipses forming a continuous figure-eight — a direct metaphor for the integrated, perpetual marketing cycle. Gold and Lime nodes mark key moments. Designed for animation; equally powerful as a static graphic. Always shown in full — never crop the loop.
Animated / Motion Website Hero Sections Presentations Campaign Advertising
Arrow Graphic asset
Lead Asset 03
Arrow Graphic
A directional dot-field graphic where density and colour shift from background tones through to Sage and Lime — a visual flow suggesting progress and forward momentum. Works on both light and dark backgrounds. Used to provide movement and energy within campaign layouts and digital contexts.
Campaign Materials Presentations Directional Layouts Motion / Animation
Touchpoints Graphic asset
Lead Asset 04
Touchpoints Graphic
Concentric arc sections bleeding from a corner — the large-circle system at its most architectural. Open-ring nodes in Gold, Sage, and Stone mark key positions along each arc. Can be used as a corner element, full-bleed crop, or animated with nodes travelling the arcs. Built for dark and light backgrounds.
Touchpoint Diagrams Digital Backgrounds Print & OOH Motion / Animation
Colour Nodes

All four graphics use the same node colours: Gold (#E5AC34), Sage (#879F80), Ink (#323526), and pale Sage/Lime (#D3E694). Never recolour nodes individually — the multi-colour node language is intentional and must stay intact.

Animation

All four assets are built for motion. Orbiting Circles and Touchpoints: nodes rotate or travel their arc paths. Infinity Loop: nodes travel the figure-eight continuously. Arrow: dots pulse or shift in density. Use easing — never linear. Pace should feel calm and measured.

Scale & Background

Orbiting Circles, Arrow, and Touchpoints can bleed to edges and be partially cropped. The Infinity Loop must always be shown in full. Orbiting Circles and Infinity Loop are designed for light backgrounds; Arrow and Touchpoints work on dark grounds.

The Circle Language

Circles and arcs are the structural backbone of the h2o visual system — used to create graphics, divide space, contain imagery, and mark moments on a journey. The ring form — a solid circular stroke with an open centre — exists in every palette colour and is the primary node element across all brand communications.

Large circles graphic
Large Circles
Full-bleed and cropped circle forms used as page architecture — dividing sections, framing content, and creating depth. The dashed concentric arcs of the Touchpoints graphic are an extension of this language at editorial scale.
Quarter circle background element
Quarter Circle
A single arc quarter anchored to a corner — creates spatial depth and frames a section without overpowering content. The fill is always a light tone from the palette.
Mid
Thick
Bold
Keyline Weight
Always use mid to thick strokes — never thin. The keyline should read with confidence at any size. Colour the stroke using the brand palette; a weak or hairline ring loses presence and breaks the visual language.
Photo in circle
Circle Image Container
Photography clipped directly to the circle form — no keyline, the shape alone frames the image. The crop always centres on the subject's natural focus point.
Gold 500 circle ring
Photo in circle
Circle + Gold Keyline
On warm light grounds (Cream, Stone, Sand) the Gold ring is the natural choice — premium and confident. One of the most recognisable h2o brand conventions.

Circle Palette

The ring form exists in every brand colour. Select the variant that suits the background — ensuring the ring reads with sufficient contrast and sits naturally within the palette combination in use.

Ink circle Ink
Olive circle Olive 800
Slate 800 circle Slate 800
Gold 500 circle Gold 500
Gold 700 circle Gold 700
Honey 500 circle Honey 500
Sand 400 circle Sand 400
Sage 500 circle Sage 500
Lime circle Lime
Tealgray 400 circle Tealgray 400
Bluegray 500 circle Bluegray 500
Bluegray 200 circle Bluegray 200

Circles as Nodes

The ring form is used as a node element — positioned along dashed lines to mark points on a journey, stages in a process, or milestones in a project. The open centre gives each node visual weight without solidity; the dashed connector implies progression without rigidity.

Customer Journey — light ground
node Awareness
node Consideration
node Decision
node Onboarding
node Advocacy
Project Milestones — dark ground
node Discovery
node Strategy
node Creative
node Launch
node Optimise

Supporting Graphic Elements

Dark Gradient
Ink → Olive — primary dark background treatment
Gold Gradient
Gold → Sand — accent and highlight sections
Sage Gradient
Sage → Bluegray — calm, secondary sections
Touchpoints — Dark
Arc system on Ink — cornered, architectural, directional
Arrow — Olive Ground
Dot-field arrow on Olive 800 — campaign sections
Dark Sage Gradient
Ink → Sage — moody, brand-forward section backgrounds

Photography

Our photography feels like a genuine moment caught — natural light, real environments, people in motion or absorbed in thought. Never posed, never performative. The camera is a quiet observer, not a director.

No Eye Contact

Subjects never look directly at the camera. They're engaged with each other, their work, or their surroundings. This creates authenticity — the viewer feels like they've caught a real moment, not been invited into a staged one.

Natural Light

Prefer available, ambient light over studio setups. Warm morning tones, soft window diffusion, dappled outdoor light. Avoid harsh flash, over-exposed whites, or clinical studio backgrounds that feel sterile.

Natural Environments

Real offices, real streets, real spaces. Not white cyc studios or artificially pristine rooms. Slight imperfections and lived-in environments add credibility and warmth to the brand story.

Motion & Energy

Capture people mid-gesture, mid-conversation, mid-thought. Walking, talking, writing, laughing. The energy of doing — not the stillness of posing.

Tonal Consistency

Photography should sit comfortably within the brand palette — warm, earthy tones complement our creams, sands and olives. Avoid oversaturated, high-contrast edits or heavy vignetting.

Considered Framing

Negative space is an asset. Allow breathing room around subjects. Offset compositions, natural depth of field, and slightly looser crops feel more editorial and less stock-library.

Photography Style Reference

Designer working late at desk, screen light, candid and absorbed
Late-night focus — moody ambient light, candid
Three colleagues laughing in conversation on a sofa
Informal conversation — natural connection, not staged
Woman smiling at laptop in bright home workspace
Bright workspace — natural light, relaxed energy
Young woman on bus with headphones and phone, candid
On the move — candid, urban context

Photographic Do's

  • Candid, unposed moments — people in the act of doing
  • Subjects looking at each other, at work, or into the middle distance
  • Natural, available or ambient light sources
  • Real, lived-in environments and authentic spaces
  • Warm, earthy tonal editing consistent with the brand palette
  • Loose, editorial crops with generous negative space
  • Motion and energy — walking, gesturing, laughing mid-conversation
  • Detail shots — hands, objects, environments — no face required

Photographic Don'ts

  • Direct eye contact with the camera lens
  • Stiff, posed group shots or forced smiles at the camera
  • White studio cyc backgrounds or artificial setups
  • Heavy retouching, oversaturation, or dramatic filters
  • Generic stock photography tropes — handshakes, thumbs up, pointing at whiteboards
  • Harsh flash or clinical, overlit imagery
  • Heavily cropped, portrait-style headshots as primary imagery
  • Busy, distracting backgrounds that compete with the subject

Illustration

Our illustration style pairs flat, abstracted figures with the brand's circle language — Ink outlines, Lime and Sage fills, and Gold accent nodes. People are shapes, not portraits. Circles are always structural, never decorative. The overall feeling is warm, modern, and purposeful.

h2o illustration — two figures with infinity loop and circle motifs
Reference Illustration 01
People & the Loop
The founding illustration. Two abstracted figures — one kneeling at a device, one standing and holding a circle aloft — are embedded within the Infinity Loop form. Circle-within-circle icons (social media, community) sit inside the rings. Gold and Lime nodes float along the loop's orbit path. This piece establishes every rule: Ink outlines, Lime fills, circle as icon container, figures without faces, black background or transparent.
Ink — outlines, dark fills, hair
Lime — primary figure fill, ring fill
Gold — accent nodes on orbit paths
White — circle interiors, highlights

Ink Keylines

All shapes carry a consistent Ink (#323526) stroke — 2.5px at standard illustration sizes. Outlines never change colour. No drop shadows, inner glows, or gradients on any shape.

Four-Colour Palette

Ink, Lime, White, and one accent (Gold or Sage). Figures are Lime-filled with Ink outlines. Dark variant: Ink-filled figures on a black ground. Never more than four colours per piece.

Circles as Structure

The ring and circle forms are always integral to the composition — not decorative. They act as icon containers, backdrops for figures, and connectors in the orbit system. Never use a circle as mere decoration.

Data visualisation illustrations — bar charts, line graphs, pie chart with brand circle motifs and Gold/Lime nodes

Data Visualisation

Charts and graphs using Lime fills, Ink outlines, and Gold/Lime orbit nodes as data callouts

Scene illustrations — figures in industry and retail settings with Lime fills, Ink outlines, and circle icon containers

Scene & Context

Figures in real-world settings — circle containers hold icons, dashed lines connect elements

Illustration Do's

  • Ink (#323526) outlines on every shape — consistent weight, 2–2.5px at standard size
  • Lime as the primary figure fill; Ink for the dark figure variant
  • White legs/trousers on light backgrounds, Lime on dark backgrounds
  • Circles always structural — icon containers, orbit backdrops, node rings
  • Gold or Lime as orbit node rings along dashed paths
  • Abstract faces — circle heads with no facial features drawn
  • Maximum 4 colours: Ink + Lime + White + one accent (Gold or Sage)
  • Black or transparent background for full compositions; Cream/Offwhite for detail panels

Illustration Don'ts

  • Facial features, expressions, or realistic skin tones on figures
  • Gradients, soft shadows, or inner glows on any shape
  • More than 4 colours — palette discipline is the style's signature
  • Circles used purely decoratively — every circle must serve the composition
  • Off-brand colours or any palette not drawn from the h2o system
  • Variable stroke weights within a single piece without intentional hierarchy
  • Drop shadows (these belong to UI components only)
  • Generic icon-library or clip-art aesthetics — figures must feel h2o-specific

Examples

Real campaign materials produced for the SMMT Connected 2026 event — the Society of Motor Manufacturers and Traders' annual automotive technology summit. These pieces demonstrate the brand system applied across print formats: exhibition banner, A3 poster, and A5 postcard front and back.

SMMT 2026 exhibition banner — Electrification alone doesn't sell itself
Exhibition Banner
Electrification Alone Doesn't Sell Itself
Portrait roller banner for the SMMT Connected stand. Olive ground, bold Kantumruy headline in two weights, client logo grid in circle containers, Sage dashed orbit arcs as background motif.
SMMT 2026 A3 prize draw poster
A3 Poster
Prize Draw
A3 event poster driving engagement via a Lego Technic prize draw. Olive ground, concentric dashed orbit rings, Gold circle callout, B Corp and SMMT membership marks.
SMMT 2026 A5 postcard — front, client logos in circles
A5 Postcard — Front
20th Anniversary Client Grid
Cream circles on Olive ground carrying 19 client logos, with the 20th anniversary mark centred as the hero circle. Demonstrates the circle-as-container language at editorial scale.
SMMT 2026 A5 postcard — back, services overview
A5 Postcard — Back
Automotive Marketing Specialists
Services overview with bold headline, sector bullet strip, and Touchpoints arc graphic bleeding from the right edge. Contact details and SMMT membership mark at foot.

20th Anniversary

Personalised thank you cards sent to every member of the team to mark the start of h2o's 20th anniversary year. Each card was individually named — the front features the Orbiting Circles asset with the anniversary mark centred, the inside carries a personal message with the recipient's photo in a Gold keyline circle.

20th anniversary thank you card — front, orbiting circles with anniversary mark
Thank You Card — Front
Orbiting Circles Cover
White ground with the Orbiting Circles asset at full bleed — Gold, Sage, Ink and Stone nodes on concentric dashed rings. The 20th anniversary mark sits centred as the focal point.
20th anniversary thank you card — inside, personalised message with photo in Gold circle
Thank You Card — Inside
Personalised Message
White ground, Gold serif headline personalised per recipient, body copy in Kantumruy Light. The recipient's photo is cropped into a circle with a Gold keyline — the brand's circle-as-image-container convention applied personally.